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Louise Winant

Artist Statement

 

I have painted for as long as I can remember. When I was twelve I set up a bowl of apples in my room and painted it until the apples rotted and then I got new apples. For me, primarily, the act of painting is my first love. Colors and mixing a myriad of changing hues excite my need to paint. I find that I am happiest when painting.

 

Generally my subject matter grows out of a pure enjoyment in mixing and creating different color relationships. It is about as basic a motivation as is possible. The paint is the dirt, so to speak, of my current work. My paintings grow, rooted to my inner mullings, thoughts, fears, hopes etc. I do desire to create pictures expressing certain human qualities that are universal, common and readily accessible to those who view my work. 

 

Painting in a realistic style, in a small space, with small brushes, developed out of the dictates of my life as a mother. Raising children left only a broken time frame in which to indulge my creativity.  I found myself being content with small strokes of color which I could easily leave and then return to later.  When younger, I painted using large colorful strokes, pure, color filled expressions of emotion.  In reality the paintings I do now are not so different.  I see them now as the fertilizer of my current work.  At the time, I had little life experience yet a great love of painting such that pure expression made sense. The content was the act of painting.  But today, having raised my family, facing the day-to-day trials, stresses and crises of family life, chronic Lyme disease, job losses, and just living in our crazy and beautiful world,  I desire to create pictures that speak to equally to the heart and the mind.  Painting, using narrative and symbolic elements allows me to reflect and express those inexpressible experiences that have shaped my life thus far.

 

While my works are almost entirely created in studio they reflect those things and places that I know personally and intimately, suburban fields, ocean waves, backyard fires, little birds and other common scenes.  I employ lots of glazing in order to achieve the depth of color that I desire and am in no rush to end a painting.   Often I find that the meaning of a picture doesn’t emerge  anyway, until some passage of time. They are like little stories.  Sometimes a painting will be hanging around for many months before I know its resolution and it’s meaning becomes clear.   I don’t tell a painting what it should be but rather it reveals itself to me.  When my children were young I developed a love for children’s picture books and the storytelling ability of children’s art. I think my attachment to those stories still influences my work.

 

There is the old expression that “One is nearer God’s heart in a garden than anywhere else on earth” yet there are certain exceptions.  Parenting is an obvious one and then there is of course the  art of creation.  Entering into the creative process of art involves a life-giving generation, a unique creation of a unique person at a unique time.

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Louise Winant 

 

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Solo Exhibitions

 

The Firehouse Art Center 2017

(community center for the arts)

Newburyport, MA

“Seasons and Innocence” 

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One Biotech at University Place 2005

Worcester, MA

“Recent Work” 

 

Marblehead Arts Association 1998

“Winant, Winant, Winant”

 

 

Group Shows

 

Bromfield Gallery

 

Juried Invitational

August, 2024

"Surface"

show title: What Lies Beneath

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Small Stones Art Festival 

Juried Invitational

Grafton, Ma 2024

Third Prize, "Field Study"

Peoples Choice Award,  "Volition"

 

 

Fountain Street Annex Fellows Award 

Boston, MA 2023

 

Allied Artists of America 

Juried Invitational  2022

Hosted by

Salmagundi Art Club Ny, Ny

 

Hopkington Center for the Arts

"Arts in Bloom"  Juried Invitational 2021

Honorable Mention "Trust"

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Marblehead Arts association 

First Annual National Juried Invitational  2021

"Variations"

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Hopkington Center For The Arts  

“Arts In Bloom”

Juried invitational, 2020

 

Attleboro Art Museum Members Show 

Juried Invitational, 2020

 

Attleboro Art Museum  

Attleboro, MA

National Juried Invitational, 2019

“Opposites” 

 Juror Caitee Hoglund, Gallery Director, 13FOREST Gallery

 

Gallery 263 

Cambridge, MA

National Group Juried Invitational, 2019

“Light Vs Dark”

Juror Ruth Erickson, current Mannion Family Curator 

at the institute of contemporary Art in Boston MA since 2017

 

Salmagundi Art Club 2018 NY, NY 

“40th Annual Painting, Sculpture and Graphics Exhibition

for Non-Members”

Juried Invitational, 2018

Katlan Family Seascape Award

Certificate of Merit for outstanding work (SCUNY)

Juror of awards William L Coleman, 

Associate curator of American Art at the Newark Museum

 

Concord Art Association 

Juried Group Exhibition Open Invitational”

2018

 

Salmagundi Art Club NY, NY 

“39th Annual Painting, Sculpture and Graphics Exhibition

for Non-Members”, 2018

Juried Invitational

 

Hopkington Center for the Arts 

“Arts in Bloom” 2017

Juried invitational

 

Hopkington Center for The Arts 

“Arts in Bloom”

 2nd prize, 2016

Juror of awards Katherine French, Director emerita 

Danforth Art Museum ,

Gallery director of Catamount Arts

 

Marlborough Art Association 2015

Group juried Invitational Exhibition

 

 

 

Education

 

BFA In Painting

1981-1984

MA College of Art

 

1978-1981

Art and Psychology

Salem State College

 

Permanent collection

Salem State University, Salem MA

Millbury Federal Credit Union, Millbury, MA 

private collections throughout New England

 

Biography

Louise Winant was born in 1960 and is a native of New England, studied Art and Psychology at Salem State University before completing her fine art studies at MA College Art in 1984, where she received her BFA in painting. After raising her family, she returned to making art and is currently working in oil. She is married to artist/designer Alvin Winant and resides in central MA. Although Her roots are coastal ME and MA, her pictures draw on themes ranging from crashing waves to mundane wetlands to colorful fields. Her pictures have been described as both “spiritual and emotive”.

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